A sound engineer at a music company faces a challenge. The output from their studio's newly acquired vintage mixing console is insufficient for modern recording equipment. To resolve this, the engineer needs to design an audio pre-amplifier using an operational amplifier, to boost the signal level. The pre-amplifier should amplify the audio signal by a factor of 10, have an input impedance above ten kilo-ohms to prevent console overloading and cover the entire audio spectrum from 20 Hz to 20 kHz. The op-amp model 741 is chosen because it can handle the required frequency range without significant gain loss. The engineer uses the non-inverting operational amplifier configuration to meet the requirement of a gain of 10 and high input impedance. The gain of a non-inverting amplifier equals one plus the ratio of the feedback resistor to the resistor connected to the inverting input. To achieve a gain of 10, a 100 kilo-ohm feedback resistor and a ten kilo-ohm input resistor are selected. This design effectively boosts the console's output, enabling it to drive the digital recording equipment.