Assessing the Effects of Music Listening on Psychobiological Stress in Daily Life

Alexandra Linnemann; Jana Strahler; Urs M. Nater

doi:10.3791/54920

JoVE Journal > Behavior

Verhalten

Assessing the Effects of Music Listening on Psychobiological Stress in Daily Life

Published: February 02, 2017

doi:

10.3791/54920

Alexandra Linnemann¹, Jana Strahler¹, Urs M. Nater¹

¹Department of Psychology, Division of Clinical Biopsychology,University of Marburg

Summary

A study protocol is presented on how to assess associations between music listening and psychobiological stress (as measured by subjective stress levels, salivary cortisol, and salivary alpha-amylase) in daily life. Advice on study design, materials, methods, selection of participants, and statistical handling is provided. Representative results are presented and discussed.

Abstract

Music listening is associated with stress-reducing effects. However, most of the results on music listening and stress were gathered in experimental settings. As music listening is a popular activity of daily life, it is of utmost importance to study the effects of music listening on psychobiological stress in an everyday, daily-life setting. Here, a study protocol is presented that allows the assessment of associations between music listening and psychobiological stress in daily life by noninvasively measuring salivary cortisol (as a marker of the Hypothalamic-Pituitary-Adrenal (HPA) axis) and salivary alpha-amylase (as a marker of the Autonomic Nervous System (ANS)). The protocol includes advice on the study design (e.g., sampling protocol), the materials and methods (e.g., the assessment of psychobiological stress in daily life, the assessment of music listening, and the manual), the selection of participants (e.g., the approval of the institutional review board and inclusion criteria), and the statistical analyses (e.g., the multilevel approach). The representative results provide evidence for a stress-reducing effect of music listening in daily life. Particularly, specific reasons for listening to music (especially relaxation), as well as the presence of others while doing so, increase this stress-reducing effect. At the same time, music listening in daily life differentially affects the HPA axis and ANS functioning, thus emphasizing the need for a multi-dimensional assessment of stress in daily life.

Introduction

Music listening is associated with stress-reducing effects¹^,². However, most previous studies were conducted in experimental settings, investigating highly selective patient populations. In particular, many studies were set in surgical settings, in which music listening occurs either before, during, or after a stressful procedure³. Although some of these studies show beneficial effects of listening to music, the findings remain equivocal. This might be due to a number of methodological reasons (i.e. different study methodologies and different study designs may lead to different results). For example, the artificial setting of a laboratory-based study makes it unclear whether findings from these experimental studies can be transferred to real-life environments. As music listening is a popular activity of daily life⁴ that is often used for relaxation purposes⁵^,⁶^,⁷, it is of the utmost importance to study the effects of music listening on psychobiological stress (and its potential underlying mechanisms) in everyday life settings that are characterized by high ecological validity.

Studies set in daily life are often referred to as Ecological Momentary Assessments (EMA), Experience Sampling Methods (ESM), or Ambulatory Assessments (AA)⁸. Common to all of these approaches is the fact that data is captured repeatedly over time in the real-world environment of the participants. According to Shiffman, Stone, and Hufford⁹, studies set in daily life thus allow for (a) characterizing individual differences, (b) describing natural history, (c) assessing contextual associations, and (d) documenting temporal sequences. Therefore, it is possible to study dynamic relations among variables of interest with a minimum of recall bias and a maximum of ecological validity⁹. Although the terms EMA, ESM, and AA are often used interchangeably, certain distinctions must be made⁸.

Whereas EMA and ESM refer to the assessment of subjective self-reports, AA is defined as the simultaneous assessment of self-reports, behavior records, and/or physiological measurements in daily life while participants are going about their daily routine¹⁰. AA studies are characterized by repeated measures of current experiences and behaviors in conjunction with physiological data¹¹. Furthermore, AA allows the measurement of stress in daily life from a psychobiological perspective, as self-reports and physiological markers can be assessed in the natural habitat of the participants. The Hypothalamic-Pituitary-Adrenal (HPA) axis and the Autonomic Nervous System (ANS) are two prominent stress-sensitive systems in the body. The HPA axis is responsible for the endocrine stress response. When experiencing stress, this axis is activated. This activation can be measured by the secretion of the hormone cortisol. The autonomic stress response can be measured via a range of autonomic markers, such as heart rate and skin conductance. A relatively new biomarker reflecting the activity of the ANS is the salivary enzyme alpha-amylase¹². Both HPA axis and ANS activity can be noninvasively and concomitantly measured in saliva by means of salivary cortisol and salivary alpha-amylase, respectively¹³.

Studies set in daily life encompassing both subjective as well as physiological markers of stress are still rare, as most of the studies on music listening in daily life rely on subjective self-reports⁶^,⁷^,¹⁴^,¹⁵^,¹⁶^,¹⁷. From these studies, it can be concluded that music listening is a popular activity of daily life¹⁵^,¹⁷ that is associated with beneficial effects for subjective well-being⁶^,⁷^,¹⁸. Most interestingly, many studies find that music listening in daily life is associated with subjective feelings of relaxation⁶^,⁷. Furthermore, relaxation is a common reason for music listening in daily life⁶. On the other hand, ambulatory assessment studies on the stress-reducing effect of music listening — particularly those encompassing both psychological as well as physiological indicators for stress — are very rare. We have previously shown in two ambulatory assessment studies that music listening is associated with a stress-reducing effect in healthy participants¹⁹^,²⁰. In contrast to these findings in healthy young adults, we were not able to find a stress-reducing effect of music listening in a patient sample²¹.

Thus, it is of particular importance to study the effects of music listening in daily life using ambulatory assessment, as this approach allows the examination of a broad variety of situations in which music listening occurs with high temporal resolution (in comparison to an artificial situation in an experiment) and high external validity. By means of ambulatory assessment studies, it is possible to investigate context factors influencing the effects of music listening in daily life. At the same time, the underlying mechanisms can be investigated by means of concomitantly assessing physiological parameters. This approach renders it possible to unravel the complex mechanisms underlying the stress-reducing effect of music listening in daily life.

This protocol demonstrates how to assess the effects of music listening on psychobiological stress in daily life by elaborating on (1) study design, (2) materials and methods, (3) selection of participants, and (4) statistical considerations, based upon the aforementioned studies¹⁹^,²⁰^,²¹.

Protocol

This protocol follows the guidelines of the local ethics committee of the University of Marburg; for all reported studies¹⁹^,²⁰^,²¹, approval was obtained. Obtain approval from the Institutional Review Board (IRB), with special attention to potential intrusiveness of study participation on daily-life routines and with special attention to the collection of salivary biomarkers for stress.

1. Study Design: Sampling Protocol

Decide on the number of days, as most studies involving multiple assessments typically run from 3 d to 3 weeks²². Choose multiple consecutive days (e.g., at least 7 d, to encompass both weekdays and weekend days) in order to gain representative insights into the daily life of the participants.
Decide on a number of assessments per day. Distribute assessments over the day, spanning representative periods between awakening and bedtime (e.g., 6 assessments/d).
Decide on the distribution of assessments per day (e.g., assessments can either be event-based, time-based, or a combination of these two designs)⁹.
NOTE: Keep in mind that current recommendations prefer event-based procedures for the sampling of rare events only, mostly for the reason of compliance and to keep up the motivation of participants. Use a combination of event-based and time-based assessments.
1. Due to the diurnal rhythm of salivary cortisol and salivary alpha-amylase, use an event-based assessment directly after waking up.
2. Relative to this assessment, schedule one subsequent assessment 30 min after waking up and schedule further fixed assessments at 12:00 h (before lunch), 14:00 h, 18:00 h, and 21:00 h (bedtime).
  NOTE: The study protocol described here scheduled the following assessments in each study: directly after awakening (event-based), 30 min after awakening, 10.00¹⁹^,²¹/11.00²⁰ (fixed), 14.00 (fixed), 18.00 (fixed), 21.00 (fixed).

2. Selection of Participants

Perform an a priori power analysis, as recommended by Bolger, Stadler, and Laurenceau²³, if one has a priori knowledge on the expected effect sizes.
Cautiously select the study participants and define the following inclusion criteria:
1. Ensure that the participants' age range is as narrow as possible (e.g., 18 to 35 years of age) or consider it to be a confound and treat it statistically as such. Participants' Body Mass Index (BMI) should be equal to or lower than 30 (see step 3.1). The participants should either be nonsmokers or should smoke less than five cigarettes per week.
2. Make sure to only include participants who do not consume drugs (no consumption of cannabis within the last 2 weeks, no consumption of any other psychotropic substances within the last 4 weeks). Furthermore, ensure that the participant does not take any medication (except for Hormonal Contraceptives (HC) in females, which should be recorded and considered within statistical analyses).
3. Only include participants who do not have any chronic somatic or psychiatric disease (according to self-reports based on the Patient Health Questionnaire (PHQ) ²⁴.
  NOTE: If interested in the effects of music listening on psychobiological stress in specific patient populations (e.g., patients with fibromyalgia syndrome), please adjust these inclusion criteria (e.g., define inclusion criteria for patients with fibromyalgia syndrome based on the research criteria²⁵^,²⁶).
Assess the following covariates.
NOTE: Covariates should be assessed once using paper-and-pencil questionnaires.
1. Due to the assessment of biological parameters, control for BMI and gender. Either define inclusion criteria regarding BMI and gender (e.g., include only those subjects who have a BMI equal to or lower than 30, or include only men or women), or statistically control for the influence of BMI and gender.
2. Concerning the association between music listening and stress, control for musical expertise and music preference (e.g., by means of the Music Preference Questionnaire (MPQ))²⁷ in order to test hypotheses on differential effects concerning the association between music listening and stress based on personal music preference and expertise.
3. Ask participants to complete the Trier Inventory for Chronic Stress²⁸ and/or the Perceived Stress Scale²⁹ to test hypotheses regarding the influence of overall stress levels on the association between music listening and current stress.

3. Meeting with the Participants before the Assessment

Schedule an introductory session with the participants to familiarize them with the electronic diary device, questionnaires, and saliva collection method.
Provide participants with a mobile electronic diary device on which they can address the items occurring during the ambulatory assessment
1. Familiarize all participants with how to handle the electronic diary device.
2. Provide each participant with information on how the mobile electronic diary device is used (e.g., how to turn it on and off, how to mute and unmute the alarm, how to react when an assessment is missed, how frequently to recharge it and how to start the application presenting the items).
3. Explain and demonstrate all functions concerning the study.
Prepare a study manual in which the study material, the items occurring in the ambulatory assessment, and the procedure for the collection of saliva are explained in sufficient detail. In this manual, describe each item in detail by explaining each response option.
NOTE: Make sure to do a trial run and review the manual with each participant. Thus, provide particular instructions to the participant, both face-to-face and written in the manual, before the assessment period starts.
Provide the participant with contact details in case of technical problems.
Instruct the participant to start the first assessment the day following the introductory session.
Set a date for the postmonitoring session after completion of data collection.

4. Items on Music Listening

NOTE: All items on music listening are presented via the electronic diary device.

Figure 1: Exemplary Screenshots from Mobile Diary Devices. Using electronic diary devices, participants can be investigated in their daily lives while they go about their daily routines. Please click here to view a larger version of this figure.

First, use a filter question and ask whether music listening has occurred since the last assessment.
Define what is meant by music listening by providing examples for music listening in daily life. Distinguish between passive music listening (e.g., background music while shopping) and active or deliberate music listening (e.g., music listening that is in the focus of attention).
Ask subsequent items (e.g., valence, arousal, and reasons for music listening) that cover a more in-depth characterization of the music listening episode when participants report having listened to music.
1. Ask for the perceived valence (ranging from sad to happy on a visual analogue scale) and perceived arousal (ranging from relaxing to energizing on a visual analogue scale) of the music that was listened to.
2. Ask the participant to define two qualitative characteristics of the music they listened to using different response scales. On the one hand, ask them to rate whether the experience is sad or happy. On the other hand, ask whether the music is relaxing or energizing.
  NOTE: The ratings refer to the participant's subjective experience of the music.
3. Ask the participant to try to make a rating. If this is not possible, ask the participant to choose the middle of the scale.
4. In case the participant listens to more than one piece of music, please ask the participant to make a rating representing the majority of music listened to. That is, if the participant listens to both sad and happy music on the radio, ensure that the classification represents the predominant experience of the music.
Assess the reasons for music listening by asking the participant to choose the main reason for music listening (among relaxation, distraction, activation, and reducing boredom).
NOTE: We selected the reasons for music listening that have been reported most frequently in previous research⁵^,⁶. Depending on the research question, other reasons may be chosen as well (e.g., emotion regulation, aesthetic enjoyment, and cognitive stimulation). However, please remember to keep the number of items to a minimum in order to maintain high compliance with the protocol.
1. Ask the following questions:
2. Ask if the participant listened to music in order to relax.
  NOTE: This can be due to some prior stressful event or to the general need to relax.
3. Ask if the participant listened to music for activation.
  NOTE: For example, this means that music was chosen to sing along to, to move with, or to activate oneself.
4. Ask if the participant listened to music for distraction.
  NOTE: Meaning, to distract from a certain topic or from certain thoughts.
5. Ask if the participant listened to music because there were no other alternatives available for reducing boredom.
  NOTE: In contrast to distraction as the reason for music listening, here, music is not meant to distract from a certain topic or thoughts. Rather, music is listened to in order to pass time.
Assess the characteristics of the listening situation.
1. Ask the participant who else was present during listening to music.
  NOTE: In accordance to Juslin et al.⁶, ask the participant to choose among the following response options: "I was alone while listening to music," "Friends were present while listening to music," and "Acquaintances were present while listening to music."
2. Additionally, ask whether the participant was in the presence of strangers while listening to music⁶.
  NOTE: If anyone is specifically interested in the role of social context factors on the stress-reducing effect of music listening, consider asking the participant whether interactions with other people occurred and how these interactions are rated (negative-positive). Furthermore, assess social support/attachment to determine whether these factors moderate the stress-reducing effect of music listening.
3. Consult the appropriate literature on studies investigating music listening in daily life to learn more about these context variables⁶^,¹⁸.

5. Assessment of Psychobiological Stress

NOTE: Stress is a multidimensional phenomenon that is assessed via subjective self-report as well as via physiological markers of stress. At each assessment, both data on subjective stress levels and on physiological markers of stress must be collected.

Measure subjective stress using a single-item³⁰ indicating how stressed they feel at the moment (e.g., on a five-point Likert scale ranging from "not at all" to "very much").
NOTE: This item should be presented using the electronic diary device.
Immediately after having provided subjective information on music listening and stress, collect saliva samples for the later assessment of salivary cortisol and salivary alpha-amylase as neuroendocrine and autonomic stress markers, respectively, using standard procedures.
NOTE: There are commercially available assays for both analytes, e.g., enzyme linked immunosorbent assays.
Preparation of saliva vials
NOTE: For the concomitant assessment of salivary cortisol and alpha-amylase, use the passive drool method, which controls for the effects of mastication, textual stimulation, or interferences of absorbent material with assay procedures³¹.
1. Prelabel the saliva vials. Use a simple, unique code for each vial.
  NOTE: This code consists of the study number + participant code + day of sampling + time of day.
2. Weigh the saliva vials both before and after study participation to determine the salivary flow rate (which is calculated by determining the saliva volume (the post- to pre-weight difference) divided by the collection time (mL/min)).
3. Split the samples according to the day of sampling by placing all samples from one day and the corresponding numbers of straws into a small plastic bag.
Saliva Collection
1. Provide participants with particular instructions for the saliva collection as follows.
  1. In order to avoid contamination with blood, sugar, or acidity, instruct the participants not to brush their teeth within 30 min prior to saliva sampling or to have dental treatment 24 h before saliva sampling.
    NOTE: Major meals should not be consumed within 60 min prior to sampling; snacks and caffeinated or alcoholic beverages should not be consumed within 30 min prior to sampling.
  2. Document the intake of food, drinks, and nicotine by means of the mobile electronic diary device by asking if the participate ate/drank/smoked within the last two hours (0: "no," 1: "yes").
  3. Instruct the participants to rinse their mouth with tap water 10 min prior to sampling.
  4. Instruct the participants to document vigorous physical activity 2 h prior to sampling. Ask the participants if they were active. If yes, ask how active they have been during the last 2 h. Instruct the participants to respond with "not at all," "very little," "moderately," or "vigorously."
  5. Instruct the participant to store the samples at or below -20 °C as soon as possible (on the evening of each day at the latest) to prevent bacterial growth. In case participants do not have immediate access to a freezer, they should be asked to store the samples in a refrigerator in the meantime.
2. Collect a saliva sample for demonstration purposes.
  1. Ask the participant to swallow once. Then, ask the participant to accumulate saliva by not swallowing for the next 2 min.
  2. Set a timer (2 min are usually sufficient) on the mobile electronic diary device.
  3. Hold the vial and straw ready. After 2 min, ask the participant to transfer all accumulated saliva into the vial.
    NOTE: Participants can either use the straw to transfer all accumulated saliva into the vial, or they can transfer all accumulated saliva without the straw into the vial.
  4. Then, ask the participant to enter the code written on the vial as a compliance check at the end of each assessment time point.

6. Meeting with the Participants after the Assessment

Ask participants to return to the laboratory to hand over the study equipment after study completion (i.e. the electronic diary device and the saliva samples).
Conduct a standardized post-monitoring interview asking for any problems that may have occurred during the study, interference of study participation with daily-life routines, and overall satisfaction with the study participation.

7. Statistical Handling

Prepare the data set by excluding participants with less than 50% of the assessments completed.
Check the data for a normal distribution. As salivary cortisol and salivary alpha-amylase are usually not normally distributed, transform the data (e.g., using the formula ln(x) + 10).
NOTE: Due to the nested structure of the data (i.e. repeatedly-assessed music listening and psychobiological stress are nested in each person), analyze the data using Hierarchical Linear Modeling (HLM)³² in accordance with the procedure described by Woltman, Feldstain, MacKay, and Rocchi³³. Analyses should at least control for the time of day on level-1 and for BMI and gender on level-2. Calculate the amount of explained variance as an indicator for effect size using the formula provided by Singer and Willet³⁴.

Representative Results

This protocol is meant to provide one example of how the effects of music listening on psychobiological stress in daily life can be examined. The procedures are designed to investigate the associations between music listening, subjective stress reports, secretion of salivary cortisol, and activity of salivary alpha-amylase.

The representative results presented are examples from three publications of our work group, published in Psychoneuroendocrinology¹⁹^,²⁰ and Frontiers in Human Neuroscience²¹. Please refer to these papers for a more detailed description of both theoretical background and results. In Study 1¹⁹, a total of 55 healthy participants were examined for a total of 10 d. A subsample of 25 participants provided saliva samples on 4 d. In Study 2²⁰, a total of 53 healthy participants provided a saliva sample after each assessment for the duration of 7 consecutive d. In Study 3, a total of 30 female patients with fibromyalgia syndrome were examined for 14 consecutive days²¹.

Music Listening and Psychobiological Stress

In Study 1, deliberate music listening was associated with lower subjective stress levels. However, no effects on psychobiological markers of stress were found (see Figure 2). In Study 2 and 3, no effects of mere music listening on psychobiological stress were found²⁰^,²¹.

Figure 2: Music Listening and Psychobiological Stress (modified from Linnemann, Ditzen et al.¹⁹). Data from Linnemann, Ditzen et al.¹⁹ shows that music listening was associated with lower subjective stress. However, there was no effect on the secretion of cortisol or the activity of alpha-amylase. Please click here to view a larger version of this figure.

Perceived Valence and Arousal of Music and Stress

The perceived arousal of the music was associated with salivary alpha-amylase activity in Studies 1 and 2¹⁹^,²⁰. In Study 1, music that was rated as low in arousal predicted reduced salivary alpha-amylase activity (UC = 0.01, t(110) = 2.272, p = 0.025) with arousal explaining 3.55% of the variance in salivary alpha-amylase¹⁹. In Study 2, the same pattern of results emerged, with music low in arousal reducing salivary alpha-amylase activity²⁰. In all studies, no effect of perceived valence on psychobiological stress were found¹⁹^,²⁰^,²¹.

Reasons for Music Listening and Stress

In Studies 1 and 2, only music that was listened to for the “relaxation” reason yielded lower subjective stress ratings. In Study 1, the “relaxation” reason explained 6.50% of the variance in stress levels¹⁹ (see Figure 3A). Concerning salivary cortisol concentrations, it was shown that in accordance with the results on self-reported stress, music that was listened to for the “relaxation” reason yielded lower salivary cortisol concentrations (UC = −0.48, t(113) = −3.513, p ≤ 0.001), explaining 12.44% of the variance in salivary cortisol¹⁹ (see Figure 3C). In Study 2, music that was listened to for the “relaxation” reason was associated with lower subjective stress levels²⁰ (see Figure 3B). In Study 3, only music that was listened to for the “activation” reason was associated with lower subjective stress, explaining 2.42% of the variance in subjective stress²¹.

Figure 3: Mean Subjective Stress Level and Mean Secretion of Salivary Cortisol Depending on Reasons for Music Listening (modified from Linnemann et al.¹⁹ as well as modified from Linnemann, Strahler and Nater²⁰). In both studies¹⁹^,²⁰, subjective stress was lowest, when music was listened to for the reason of relaxation. Furthermore, the secretion of salivary cortisol was lowest when music was listened to for the reason of relaxation¹⁹. Panels A and C refer to data from Linnemann, Ditzen et al.¹⁹, whereas panel B refers to data from Linnemann, Strahler and Nater²⁰. Please click here to view a larger version of this figure.

Presence of Others during Music Listening and Stress

In Study 2, the social context of the listening situation was assessed. It was shown that listening to music in the presence of others was associated with lower subjective stress reports, lower salivary cortisol secretion, and higher salivary alpha-amylase activity²⁰. Most interestingly, the effect of music listening in the presence of others exceeded the effect of mere music listening and of the presence of others when the assessment was triggered (Figure 4).

Figure 4: Mean Subjective Stress Level and the Presence of Others while Listening to Music (reprint from Linnemann, Strahler, and Nater²⁰). Subjective stress was the lowest when participants listened to music in the presence of others. Furthermore, there was a significant interaction of the presence of others while listening to music and the presence of others when the assessment was triggered. Thus, subjective stress was lowest when music was listened to in the presence of others and others were present when the assessment was triggered. Please click here to view a larger version of this figure.

Discussion

Here, a study protocol is presented on how to investigate the effects of music listening on psychobiological stress in daily life. The advantage of the ambulatory assessment design is that the effects of music listening on stress can be investigated in the natural habitat of the participants while they are going about their daily routine.

As this study protocol assesses past music listening and momentary stress, short-term effects of music listening on stress can be examined. In line with experimental studies, a stress-reducing effect of music listening, depending on characteristics of the music and depending on characteristics of the situation, was found. In this regard, ambulatory assessment studies allow for further characterization of this association. As music listening in many different situations is captured, the role of characteristics of the music (e.g., valence and arousal) as well as characteristics of the situation (e.g., the reasons for music listening and the presence of others while listening to music) can be explored across various different situations.

Critical Steps within the Protocol

The descriptions provided in the manual are critical to the data quality. For example, if a proper definition for what is meant by music listening is not given by providing examples for music listening in daily life, participants might define music listening episodes differently. Therefore, it should be clearly specified whether participants are asked to report any music listening that occurs or whether participants are asked to focus on deliberate music listening only. The collection of saliva samples in daily life might be experienced unpleasant by some participants in the beginning of the study. However, these feelings vanish almost immediately. The prelabeling and preparation of the samples is essential in order to reduce participant burden and to further increase compliance with the protocol. Furthermore, oral and written instructions on how to provide a saliva sample are of the utmost importance. In this regard, participants should be equipped with a written manual containing the abovementioned precautions and instructions.

Modifications of the Design

The advantage of the items on music listening, as they are described in this protocol, is that they allow studying the temporal dynamics of the effects of past music listening on current stress. Thus, this study protocol is sound and safe for research questions addressing these intermediate effects. However, if acute effects of music listening on stress are of interest, modifications by means of event-based sampling schedules should be applied. In case event-based schedules might not be possible, both momentary music listening and momentary stress should be assessed in order to examine simultaneous effects. There are studies in which both simultaneous and past music listening are assessed¹⁵^,¹⁸. Furthermore, in order to prevent reliance solely on subjective self-reports of music listening, the design can be modified by objectively assessing music listening. In this regard, Juslin et al.⁶ discuss the use of the electronically-activated recorder³⁵ to objectively assess the sound environment of participants. Furthermore, music streaming platforms might be used to track the exact music titles that participants listen to.

Limitations of the Technique

The cautious interpretation of the findings gathered when using this study is warranted. First of all, conclusions regarding causality are restricted. As no random assignment to experimental conditions takes place, study results should be interpreted as associations. Nevertheless, this does not affect the quality of results, as the number of observations is high in ambulatory assessment studies. Thus, it is quite unlikely that associations are driven by other extraneous variables. Furthermore, controlling for variables associated with salivary cortisol and salivary alpha-amylase (such as smoking, drinking, eating, and physical activity) further increase the reliability and validity of the results³⁶^,³⁷. Second, the concomitant assessment of salivary cortisol and salivary alpha-amylase deserves special attention as well. Salivary cortisol and salivary alpha-amylase underlie different diurnal rhythms¹³ and show distinct temporal dynamics in reaction to a stressor³⁸. Therefore, event-based methods might be warranted when the acute effects of music listening on psychobiological markers are of interest. Then, the time-lagged collection of salivary alpha-amylase and salivary cortisol relative to music listening is necessary in order to account for the distinct temporal dynamics of salivary alpha-amylase and salivary cortisol. Third, it is important to note that subjective stress is assessed using a single-item approach, as the number of items must be cautiously balanced against the burden for participants. Therefore, a more comprehensive assessment of stress might improve the validity.

Significance of the Technique with Respect to Existing Methods

Although there are a few studies assessing the effects of music listening on daily life, they solely rely on self-reports⁶^,¹⁸^,³⁹^,⁴⁰. No study so far has investigated the effects of music listening on psychobiological stress in daily life. Rather, until now, physiological effects of music listening were predominantly examined in experimental studies²^,³^,⁴¹^,⁴²^,⁴³. Laboratory studies allow for control over a wide range of potential confounders and, at the same time, facilitate the assessment of biological stress markers using invasive equipment (such as needles for blood collection). However, with the advancement of salivary stress markers, the assessment of psychobiological stress is not limited to the constraint of the laboratory anymore. Thus, the significance of this approach is that it provides methodological considerations on how to design studies in daily life that allow for the investigation of the effects of music listening on stress beyond the scope of subjective stress ratings.

Future Applications after Mastering the Technique

Assessing the effects of music listening on psychobiological stress in daily life will allow for important insights into mechanisms underlying the health-beneficial effect of music listening. With music listening a popular, cost-effective, and easily-applicable activity of daily life, interventions can be developed that specifically target music listening behavior in daily life. By means of ecological momentary interventions, specific populations (e.g., highly stressed individuals) can be reminded to listen to music for relaxation and stress reduction purposes. Furthermore, as smartphones allow for the assessment of physiological stress markers, participants can receive immediate biofeedback on how music listening affects their physiological stress levels. Thus, this protocol helps investigating the potential of music listening as a means of stress reduction in daily life. Knowledge gathered based on this protocol will be of great importance to the design of music interventions in daily life.

Conclusion

A study protocol for assessing the effects of music listening on psychobiological stress in daily life is presented. Studies set in daily life offer important avenues for research and, at the same time, bear some challenges. The high ecological validity and the high temporal resolution of processes that can be captured in daily life are two important advantages of ambulatory assessment studies. Beyond the scope of the constraints of experimental environments, research results with high ecological value can be gathered, allowing for the translation of research findings into daily life. At the same time, internal validity cannot be as high as in experimental studies. Therefore, diligent recruitment, diligent preparation of study materials, and cautious interpretation of the results are necessary.

Offenlegungen

The authors have nothing to disclose.

Acknowledgements

JS and UMN acknowledge funding by the Volkswagen Foundation (Az. 84905). We thank the University of Marburg for funding participant reimbursements and the Universitaetsstiftung of the University of Marburg for funding the biochemical analyses. Furthermore, we thank Johanna M. Doerr for her contribution to the study design and Nadine Skoluda for her involvement in the analysis of the saliva samples.

Materials

SaliCap Set	Tecan (IBL)	RE69985	Sampling tubes for collection of saliva samples to be used in the IBL Saliva Immunoassays
Cortisol Saliva ELISA	Tecan (IBL)	RE52611	Enzyme Immunoassay for the quantitative determination of free cortisol in human saliva
Calibrator f.a.s. w/o diluent	Roche Diagnostics	10759350190	Ready-for-use calibrator consisting of a buffered description aqueous solution with biological materials added as required to obtain desired component levels.
Precinorm U	Roche Diagnostics	10171743122	Ready-for-use control
Precipath U	Roche Diagnostics	10171760122	Ready-for-use control
AMY EPS HIT 917 liquid	Roche Diagnostics	11876473 316	R1: α-glucosidase; R2: 4,6-ethylidene-(G7) p-nitrophenyl-(G1)-α,D-maltoheptaoside
			further materials include typical laboratory utensils, e.g., micropipettes, oribtal shaker, vortex mixer, 8-channel micropipettor, wash bottle, automated or semi-automated microtiter plate washing system, precision scale, microtiter plate reader capable of reading absorbance
Apple iPod touch, 8GB, 5th Generation	Apple Inc.	n/a	mobile diary device
iDialogPad	Mutz Elektronik Entwicklung	n/a	software for programming items occuring in the ambulatory assessment

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Linnemann, A., Strahler, J., Nater, U. M. Assessing the Effects of Music Listening on Psychobiological Stress in Daily Life. J. Vis. Exp. (120), e54920, doi:10.3791/54920 (2017).